Composed between 1926 and 1939, "Mikrokosmos" was Bela Bartok's attempt to solve certain technical problems in the art of piano playing, here adapted by the 5-piece Quartetski into a fascinating series of progressive exercises and etudes, oddly enough presented without a piano.

Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.

A solo work from Pierre-Yves Martel performing two works for the viola da gamba, bringing this fretted renaissance-era ancestor to the violin into the 21st century through two slowly evolving and sonically fascinating pieces.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.

Intense and understated electro-acoustic improvisation from saxophonists Jim Denley and Philippe Lauzier, electronic artist Pierre-Yves Martel, guitaris Kim Myhr and bassis Eric Normand.

Percussionist Isaiah Ceccarelli's work for percussion, two voices, two bass clarinets and viola da gamba, woven from the delicate fabric of the tension between darkness and light.

Mining the spaceways with Sun Ra compositions and original compositions, this large band extends the ideas of the Arkestra while making room for modern like-minded players.

A solo session of Pierre-Yves Martel on prepared double bass with no over-dubs or post-processing.